Add a file
Drop an MP3, WAV, FLAC, AAC, M4A or OGG file, or open one from Your Library.
Boost or cut frequency bands to reduce mud, lift presence, or tame harsh highs — then export the result from your browser.
Drop an audio file here
or click to choose from your computer
MP3 · WAV · FLAC · AAC · M4A · OGG
Working…
An equalizer (EQ) lets you boost or cut specific frequency ranges so a track sits better for your speakers, headphones, or mix. Use it to add weight to thin bass, clear muddy mids, lift vocal presence, or tame harsh highs — without changing the length of the file.
This tool gives you ten peaking bands at the standard ISO octave centers (31 Hz through 16 kHz). Each band can move from −12 dB to +12 dB. Genre presets (Bass Booster, Vocal Boost, Podcast, Rock, and more) set a starting curve you can fine-tune with the vertical sliders.
EQ is one of the most common steps in everyday audio work. A podcast might need a gentle high-pass and a presence lift so speech cuts through laptop speakers. A music track might need a low shelf for warmer bass on earbuds, or a small cut around 2–4 kHz if cymbals feel sharp. Because each band only affects a limited range, you can shape tone without simply turning the whole file up or down like a volume booster.
Preview runs live in your browser through the same filter chain used for export. Your audio is never uploaded to Sound Booster servers. After export you get a WAV file; convert further with the Audio Converter if you need MP3 or another format. Pair EQ with Bass Booster when you want a dedicated low-end push, or with the Volume Booster when the track is still too quiet after tonal balance is fixed.
Drop an MP3, WAV, FLAC, AAC, M4A or OGG file, or open one from Your Library.
Pick a preset or drag the ten band sliders. The frequency-response curve updates as you move. Press Play to hear a live preview — you can keep adjusting while it plays.
Click Apply EQ & Download. The same 10-band filter chain is rendered offline and saved as a WAV on your device.
Under the hood, ten peaking BiquadFilter nodes are chained in series (Q ≈ 1.41, one-octave bandwidth). That is the same topology used in most DAW graphic EQs. The live preview uses a regular AudioContext; the download uses OfflineAudioContext with identical settings so what you hear is what you get.
All bands at 0 dB. Reset / starting point — use this before dialing your own curve.
Lifts 31–125 Hz for weight on thin speakers or earbuds. Watch clipping on already-loud masters.
Adds air and crispness from 4 kHz upward. Helps dull or low-bitrate recordings sparkle again.
Cuts mud around 250 Hz and lifts presence at 2–4 kHz so vocals cut through the mix.
High-pass-ish low cut plus intelligibility lift — tighter spoken-word audio from real-world mics.
Smile curves and punchy low end tailored to each style — bass lift with bright tops where it counts.
Gentle, balanced lift that respects the original mix without forcing a modern “loud” contour.
Classic loudness contour for quiet playback on small speakers — boosts bands the ear under-hears at low volume.
Ten peaking filters are chained at ISO octave centers: 31, 62, 125, 250, 500, 1000, 2000, 4000, 8000, and 16000 Hz. Each slider boosts or cuts by up to ±12 dB. Preview is live; download uses the same chain offline.
Start with Flat, then try Bass Booster for low end, Vocal Boost or Podcast for speech, or Pop/Rock/Hip-Hop for music. Presets are starting points — adjust the sliders to taste.
EQ adds gain at those frequencies. If the source was already loud, peaks can clip. Lower the boosts slightly, or normalize with Volume Booster first, then EQ.
No. Only the frequency balance changes. Duration stays the same.
No. Decoding, filtering, and export all run in your browser.
Keep editing with other browser-based tools on Sound Booster.